Looking to add a vintage touch to your graphic design projects? Whether you’re creating a large sign, a small-scale flyer, or a standout business logo, the best typewriter font can make a beautiful retro statement.
Fonts aren’t just about making your words look good. They’re about making your entire message come to life. The right font can help you convey a specific emotion or tell a story before anyone even begins to read the text. They play on subliminal cues, ensuring that your designs stand out amongst the crowd.
Typewriter fonts have been around since the early days of personal computers. Since the world went digital, the need to scratch that nostalgic itch grows with every passing year. Iconic typewriter fonts are reminiscent of bygone days and can make your project truly special.
Fonts are a dime a dozen these days. There are hundreds of thousands of typefaces to choose from. To help you get in touch with an old-school era, we’ve found some of the very best typewriter fonts the world of typography has to offer.
One of the oldest FontFont typefaces, Trixie is a beloved font that’s used frequently by those looking for a grungier look. It has all the hallmarks of a traditional typewriter font. This includes even spacing and prominent serifs. However, the font looks like it’s aged heavily or using a typewriter ribbon that’s running low on ink!
The history of FF Trixie goes back several decades. For the longest time, the origins of the typeface were unknown. Though, it was recently revealed to have been created around 1930 in Nuremberg.
Courier is one of the most iconic fonts around. It’s available on most personal computers as a default font. It’s simple, clean, and elegant. The Courier M font is a slightly modified version of the classic.
Like the original, Courier M features large serifs to improve legibility regardless of how the font is being used. However, this version features slightly thinner strokes to give it a lightweight feel. In blocks of text, Courier M looks airy and light compared to other options that tend to look dense.
Here’s another font that you’re probably familiar with. Lucida Grande. It has been used heavily on the MacOS interface since 1999. While Apple has largely moved onto other fonts in newer iterations of the operating system, Lucida Grande is still a staple on the Safari web browser and the Pages word processor.
Lucida Grande is a sans serif font, which challenges the perception of what a typewriter font needs to be. That said, other characteristics help it fit the bill. It has even spacing, a large x-height, and an overall sleek look.
Rational Tw is a unique option for typography. It manages to combine Swiss and American gothic elements into a modern facade. Overall, the font looks very contemporary while still throwing in some of those iconic typewriter elements.
You’ll find prominent serifs and monospacing. This gives large blocks of text a lovely uniform look. It works well in many different applications, including large signage and smaller chunks of text.
Inspired by the old cold-case files, John Doe offers us a mysterious look. It conveys a sense of intrigue. When most people look at the font, it brings up images of those troubling crime docudramas on late-night television!
Like other typewriter fonts on this list, John Doe is specifically designed to have an aged look. The strokes are grungy and sporadic, further cementing the font’s mysterious status.
Chapter 11 harkens back to old mystery novels or vintage government documents. It’s best for recreating a vintage feel. The coolest part of this typeface is its ink simulation. In blocks of text, several characters are made to appear lighter. This makes it look like the ink ribbon is wasting away and translating to your typing. The effect is most noticeable when you use the font for entire documents or text boxes.
The font was created by a Canadian typographer named Rebecca Alaccari. Despite its relative niche appeal, it has become very popular in recent years.
Letter Gothic is another typeface that doesn’t go with the traditional conventions of typewriter fonts. You won’t find any serifs or chunky strokes. The font is clean and elegant. The thin strokes create a lot of empty space to complement your graphic design. Plus, the monospacing ensures that readability is top-notch.
The typeface was created in the 1960s and has since been modified in several ways. You can get it in different weights to create the perfect look you’re after.
Traveling Typewriter Font
If you’re looking for an authentic typeface, give the Traveling Typewriter Font a try. It’s modeled off of a very specific machine called the Olympia Traveller de Luxe. This Danish typewriter was an iconic piece of machinery manufactured in West Germany during a post-war period.
The machine was a standout among other models because it had several features that were only available on larger equipment. This font recreates the font used on the vintage typewriter, helping to keep its history alive.
Erased Typewriter 2
Created by the same designer who came up with Erased Typewriter, Erased Typewriter 2 takes the authentic feel up a notch. It’s very similar to the original. However, you’ll notice that this version looks grungier and more distressed.
The strokes look blotchy and uneven, suggesting ribbon issues. Furthermore, several letters are completely filled in where there should be open spaces. This recreates a common issue that many older typewriters had.
Clean and uniform are the best ways to describe Fabrikat Mono. This font is a sans serif typeface that manages to still capture that typewriter feel. The biggest reason why the font achieves this is because of monospacing.
The letters are all spaced evenly to create a sense of balance. Other design elements, such as modified height differences between uppercase and lowercase letters, make the font unique enough to stand out.
Originally created by a Dutch designer in the 1960s, Foundry Gridnik is a distinct font that really stands out. It was inspired by a traditional monospaced typewriter font. However, several modifications were made to make the font fit perfectly on a grid.
Geometric elements give the typeface a somewhat futuristic look. Rather than traditional curves around the letters, you’ll find sharp angles and strict adherence to the grid.
Looking for a font that adds some dimension to your work? EF Mono may be the one for you. This font is based on the classic Courier typeface. However, it’s been heavily “beat up” to give off an aged appearance.
Several of the strokes have prominent cutouts, making it look like the typewriter stamps missed parts of the ribbon. When used in chunks of text, the font has a dynamic movement that’s pleasing on the eyes.
There is no shortage of aged fonts available. However, Typer Pro takes a unique approach to create a distressed look. For the most part, the primary strokes are intact. There are some subtle cutouts here and there, but the letters are all there to improve legibility.
Around the characters, you’ll notice that there are some small dots and splotches. This creates the appearance of bleeding ink. It’s a unique take on the iconic distressed typewriter look.
Created by designer Iza W, Olivetti Typewriter is clean enough to work on a wide range of projects. The strokes aren’t too over the top, making it look great in smaller text. Pair that with the sizable serifs and readability is no problem.
That said, this typeface does have some subtle messiness. It was created to mimic the bleeding ink effect that many older typewriters made.
Aminta Regular is a lightweight serif font that offers a very elegant look. It was inspired by the classic appeal of the Courier font. However, the designer wanted to mash the vintage looks with the modern aesthetics of Helvetica.
The final result is a beautiful serif typeface that’s easy to read. It doesn’t have all of the distress of other typewriter fonts, making it an excellent choice for professional applications.
Now, if you’re looking for something a bit more severe, that you can go with Aminta Black. This typeface is bold and domineering. It creates this sense of seriousness that the original Aminta Regular font can’t create.
The strokes are chunky. Yet, they still have the serif. As a result, the font can look busy and dense in swaths of text. It’s best used for headings or large signs.
Undoubtedly inspired by old official spy dossiers, this font has a classic appeal without being too over the top. It’s a serif font with all the hallmarks of typewriter typeface.
The original designer began working on the font by consulting with several typewriter manufacturers. Unfortunately, the final product was never finished. Dossier is an adaptation of those original ideas.
The Smith-Premier Typewriter font is a quirky alternative to other options. It’s sleeker and utilizes thinner strokes. However, it still manages to recreate that sloppy ink effect typewriters are known for.
The unique thing about this particular typeface is its use of serifs and inkblots. All of the traditional serifs are there. However, the font also has larger dots to accent curved letters.
This typeface has a universal appeal. It’s grungy, messy, and somewhat mysterious. Originally, IHOF Typewriter was created to imitate the typeface used for German documents during the 20th century. It’s since grown in popularity and is used in everything from graphic design to logos.
As other fonts, IHOF Typewriter is all about distress and imperfections. There are cutouts where the ink is supposed. Not only that, but the stroke lines are somewhat sloppy and jagged.
Detective is a font that can create a powerful emotional response to your work. At first glance, it looks like your average serif font that’s meant to loosely imitate what a typewriter would create. There are no major distress elements or over the top quirks.
However, the longer you look at the font, the more you start to notice some inconsistencies. The lines aren’t uniformly straight and some of the serifs are slightly off. This creates a sense of jauntiness and unease, which is perfect for book covers, signs, and more.
LiebeRuth is a typewriter font that evokes positive feelings! While many other fonts on this list convey a sense of mystery and intrigue, this one does a fine job of being light and airy!
The serif font utilizes large and in-your-face strokes. However, the serifs are all rounded and pleasant. Combine that with the use of open space and you have a joyous typewriter font. It’s very readable and looks fantastic in large-format prints.
The 1913 Typewriter font is one of the best when it comes to distress. It looks old, eroded, and very mysterious. The font was modeled after a few characters used on a portable typewriter made in 1913. This is the same kind of equipment that famous writers like Ernest Hemingway used, so it conveys a nice sense of creativity.
It also has a somewhat gloomy aesthetic. Thanks to the severe distressing, the characters look like they belong on a poster for a film noir project.
Intimo Two is not like your other traditional typewriter fonts. From a distance, it does have those familiar characteristics. It uses a basic monospace design with noticeable serifs for readability.
However, upon closer inspection, you’ll see that the font isn’t made up of standard strokes. Instead, it uses dots! It’s like your text was printed on an old dot-matrix machine! It’s a unique font that offers up a distinct look depending on the sizing of your text.
Firenza was inspired by the typefaces used at the turn of the 19th century. It has a lot of those same characteristics that you see on traditional typewriter fonts. However, it also has a unique personality of its own.
The font is noticeably wider than other typewriter fonts. This gives your text a much older look. It’s reminiscent of advertisements and publications that you would have seen during that era.
Colón Mono is a relatively modern typeface. It doesn’t have all of the distressing and faux age markings of some other fonts. Instead of focusing on realism, the designer of Colón Mono simply used old typewriters as an inspiration. He sought out to create a modern alternative.
The font features a slab serif. The serifs are very chunky and pronounced. Not only does this provide a distinct look, but it also does a lot to improve readability.
LTC Remington Typewriter Pro Set
This typeface is a cleaner alternative to some of those messier fonts you’ll see around the typography circles. It utilized thinner strokes, which ultimately creates a lot of negative space against your text. This creates an airy feel that many other typewriter fonts just can’t imitate.
Of course, it wouldn’t be a typewriter font without some of those iconic details. Luckily, LTC Remington Typewriter Pro Set has those in droves. You’ll see the familiar serifs, subtle curve details, and monospacing.
Remington Weather offers some subtle nuances that help it stand out. It’s not as grungy or aged like some other font options out there. But, there are some great details worth mentioning.
When you look at the font up close, you’ll notice that the strokes are imperfect. They’re not overly sloppy, but there’s just enough detail there to make your text look like it was created on a mechanical typewriter rather than a computer. This is most evident around the serifs, which are a bit more subtle than what you’d see on other fonts.
Suomi Slab Serif
Last, but not least, we have Suomi Slab Serif. As you might have guessed from the name, this font has in-your-face slab serifs on each character. Despite their prominence, the serifs do a fantastic job of improving readability.
The font is obviously inspired by old-school typewriters. However, there aren’t any imperfections to created an aged look. All of the strokes are crisp and clean. It’s a modern version of a classic typeface. It looks great on larger signs, business cards, and even logos.
Choosing the right font for your project can make all the difference. Typography plays a huge part in conveying certain emotions and adding that touch of polish to your design. Typewriter fonts offer classic appeal and vintage aesthetics. Whether you choose the clean and modern look of Courier or choose to go something a bit more out-there like 1913 Typewriter, these fonts are sure to take your project to a new level. Please also check out my best resume fonts and best fonts for logo design.